Singing
- is such an enjoyable thing to have in your life
- a 'tingle factor that is available to everyone
- everyone's share of making music
- should be be a delight
and bring nothing but joy into your life.
It is also a natural human characteristic, available to anyone.
In spite of all this
voice is the most neglected part of our personal development. There
is no policy in education to ensure that the general population
have good voices, or that good voices are for life. Having singing
as a means of expression or as a musical talent is completely hit
or miss for most people. Those who have singing in their lives have
been encouraged to sing when they were little and have been to schools
where singing was encouraged.
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We all have the instrument: we
just have to learn how to play it
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You are probably reading this
page because you would either like to learn to sing or improve a voice
that already sings. The message from me is very clear. Finding or improving
your singing is not difficult and if, as you sit there reading this, you
are breathing, you already possess all the mechanical 'bits' to begin
right now. In fact, why not begin right now? This little game is likely
to improve every voice, however advanced is your skill. On
a large piece of paper write out all the syllables in your name like this
E - liz - a
- beth - Wor - thing - ton
If any of the syllables end
in a consonant that closes your mouth, like 'liz', 'beth' or 'thing' move
the end consonants onto the next syllable like this
E - li - za
- be - thwor - thi - ngto -
Now sing a different pitch on each syllable, throwing
the pitch all over the place but keeping the syllables joined up
to complete the name (stick
the last 'n' on the end of the line). When you've done it a couple
of times try doing two different pitches on each syllable. With
these syllables the mouth doesn't close at the end. The vowel can
last as long as you like. Now break up other phrases like this and
sing them.
That was
your first singing lesson. Message: sing long vowels because the
voice only does vowels. Consonants must only appear at the beginning
of the syllable if they don't rewrite the text so that they do.
VoiceGym is designed around simple approaches like this.
So what about people who think they cannot
sing, or sing out of tune?
Some people have been positively
cut off from singing. This includes those who sing out of tune, those
who believe they cannot sing, those who believe they are too old too sing,
those who have no support for this thing they love to do from family or
friends because it sounds terrible and those who have never been given
the opportunity to develop singing in their lives. Don't feel isolated-
you make up the majority of the population of the Western World!
All of these beliefs are tragic because they are untrue and usually inflicted
on children by people who know nothing about voice development. Once someone
has told you you can't sing it is unlikely that you will try, but the
nonsinger coming to VoiceGym
actually has advantages. You begin with a clean sheet, picking up
the threads of a voice and body system with the enthusiasm of discovering
a long awaited opportunity. Voice Gym
provides an opportunity for 'back to basics' and non-singers and
singers alike both benefit from this fresh look at things about voice
they may never have understood.
The student of singing, Professional Singer, or a singing teacher
needs to note this
Even now, in the 21st Century,
the training of singers, from graded examinations to advanced work in
Colleges of Music, has no courses in functional anatomy or physiology,
no physical fitness training, no requirement to study or understand the
evolution and development of the voice and no supportive problem solving
policy - you are not supposed to have problems1. As long as the
instrument already works, it is assumed that it will go on working. The
Professional Voice Gym Course addresses all these gaps in voice
training.

The one-to-one Professional
VoiceGym Course for singers
After an initial consultation,
the Course comprises eight one-to-one sessions of at least one hour
with Angela Caine. The first four sessions introduce VoiceGym
to develop the quality, resonance and range and understanding of
your voice. Ideally the sessions are every two weeks, but the
course needs to be flexible to allow for both the demands of your
working life and the progress your voice makes. That is taken in
to account in the planning and throughout the course. I do ask for
reasonable notice to change the times of sessions - at least 24
hours
The content of the last
two sessions will be determined by your personal and professional
needs. They may be geared to repertoire, performance, teaching or
lecturing, or a combination of all. A variety of additional material
and exercises will be presented as required in response to your
direction of application. You are also encouraged to bring you own
singing repertoire The course is an opportunity to discuss
the information in VoiceGym Book with the author.
This is the course recommended for professional voices as it teaches
the application of VoiceGym to specific voice and performance skills,
while also introducing voice maintenance as 'a voice for life' concept.
The fundamental aim of the course is to put you in control of your
own voice through knowledge and understanding. This is absolutely
vital for the professional singer and would begin a regeneration
in the teaching of singing.
The one-to-one professional
course includes a complete VoiceGym
Pack.
DIY with the VoiceGym Pack
The
Voice Gym programme, tried
and tested for success over ten years at the Voice and Body Centre,
has finally been published as a course that you can work through
by yourself at home to put singing into your life. You
can buy the Package from the Voice and Body Centre, or
over the Internet.
You buy the VoiceGym
Pack at a two hour teaching session booked with Angela, who will
use this time to discuss your aims, listen to your voice for any
special considerations and then take you through Part 1. You book
the next session when you are ready to move on and you feel you
need some more motivation and encouragement. Individual sessions
are booked by e-mail or telephone.
Consultancy
for Professional Singers
Professional voices - already
working in performance - can be introduced to networks of other disciplines
working with Angela across the barriers of performance-related
problems. The common approach in the UK for training a professional
singer is to develop the voice by means of scales, vocal exercises, graded
examinations and what is considered to be helpful 'training repertoire'.
No account is taken in this system for physical development, except on
a purely cosmetic level. If the singer looks attractive while singing,
moves well and passes all musical and singing tests with flying colours,
it is generally assumed that the transition from amateur student to professional
musician is a matter of presentation and publicity. Thus it is often only
when a singer takes on a professional work load that the extra physical
demand of this life commitment is realised.
Singing requires the balance
and co-ordination of an Olympic ice skater if it is to be successful as
a career. Like all athletic systems voices require voice and body exercise
maintenance. Many singers begin to sing extended repertoire without building
the muscle systems to provide strength for this extra power or the staying
power for running a life of marketing oneself, rehearsals and performance
in parallel with home and family. Ideally anyone considering a professional
musical career should be assessed for physical, musical and vocal integrity
and efficiency before committing to an advanced course in performance,
but this rarely happens..
The Voice and Body Centre belongs
to a network of 'voice-aware' clinicians which covers most areas
of the UK, so you can be referred to a dentist, cranial therapist,
osteopath or chiropractor in your own area with the security of
knowing that correction and maintenance
of the important instrument you play are available
to you for life. All of this information is also provided in the
VoiceGym Book: part of the VoiceGym
maintenance system for voice. Discover
how to have a trouble free career.
Can
I book Individual
Singing Lessons?
Individual Singing Lessons
with Angela Caine
are only offered to those who have studied VoiceGym, either
as part of the professional course in the Centre with Angela, or
yourself at home. When
the voice has been developed through VoiceGym,
its mechanics are understood and maintained. This saves you both
time and money and you are ready to be introduced to a great variety
of singing repertoire. The classical repertoire extends the whole
system of mind, body and voice, demanding precision of execution
and style. Pop, Jazz, Swing, Rap and the Music Theatre repertoire
extend rhythm, words and imagination into different and interesting
demands. You can only call yourself a singer when you can sing anything
at will, in the appropriate style and well. Flexibility is the mark
of a good voice. VoiceGym guarantees this flexibility.
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